Barbequed Shrimp Recipe

Here is a favorite recipe for BBQ'd shrimp, of a style you might find in New Orleans, where sometimes crawfish might substitute for the shrimp. Traditional presentation would be with sauce coating shrimp with shells intact. I usually do the shelling in the kitchen prior to cooking the shrimp in the recipe. Another alternative would be to prepare the sauce only, and then cook shrimp "on the barbie" outside. Don't be daunted by the long ingredient list. Some can be left out, or have fun improvising. Thickness of sauce can be tweaked by chef too.

1/4 cup butter (half stick, cut into chunks)
4 cloves garlic, minced
1 bay leaf
1 teaspoon crushed rosemary leaves (a mortar and pestle is helpful)
2 teaspoon paprika
1 teaspoon coarsely ground black pepper
2 teaspoon fresh lemon juice
1/2 teaspoon dried basil (or 1/4 chopped fresh)
1/2 teaspoon oregano
1/2 teaspoon salt
1 Tablespoon brown sugar
1/2 teaspoon cayenne pepper
2 Tablespoons Worcestershire sauce
1/2 cup dry white wine (Gewurztraminer or Pinot Gris work well but anything tart is fine).

2 pounds large shrimp (can be in shell or peeled, as you prefer).

In a large wide skillet, melt butter and saute garlic on very low heat for two minutes only. You don't want the garlic to brown at all. Stir in bay leaf, rosemary, paprika, black pepper, lemon juice, basil, oregano, salt, brown sugar, cayenne and Worcestershire sauce and cook for 1 minute.

Increase heat to medium, add shrimp and shake to coat with seasonings, about 2-3 minutes. Add wine, heat, being sure to not overcook shrimp. Serving suggestion: in bowls with sauce poured over with crusty french bread on the side.

No More Victims

Arlington singer/songwriter Vance Gilbert showed off his many talents -- invoice and on guitar -- last night at the Arlington Center for the Arts. What a joy it is to hear him sing and play! Check out his work at http://www.vancegilbert.com/ He was performing at a benefit, attended by 140, to help a group that raises money for Iraqi children maimed in the current war. The group is called No More Victims (http://www.nomorevictims.org/) You can see a story about Omar, a boy the group is helping, here:

http://www.necn.com/Boston/New-England/Benefit-held-for-injured-Iraqi-children/1206843954.html

Omar and his dad were present last night.

Red Midnight

I just finished reading "Red Midnight" by Ben Mikaelsen (2002). My young friend J (17 years old) was reading it for high school. He was quite enthusiastic about this book so I thought I'd give it a read. It is about a young man named Santiago, about J's age who is an "indigeno" in Guatemala in 1981. During this time, government forces committed many atrocities on native people, in the name of preventing the spread of communist regimes in central America. One night soldiers descend upon Santiago's village, killing everyone and burning the village to the ground. Santiago manages to escape, along with his sister Angelina.

They take a sea kayak, called a "cayuco" that an uncle had built, and attempt an escape to America by sea. This requires great courage and perseverance by Santiago. As I read the book, it occurred to me why J might like this book. Santiago is a character that J can relate to. J is at a stage in his life where he is venturing into the unknown, and having to learn new things fast. There is some danger. J is physically strong and resourceful like Santiago, and rises to the challenges as they present, with a confidence that calmly accepts what is required. J also has the qualities of duty to family and tenderness, as did Santiago. Thanks J for a good book recommendation, and best of luck to you as you set sail on your great adventure of life.

Lunar Eclipse February 20 2008

Photo by Alin Tolea, Baltimore MD, USA

On Wednesday night, February 20th there was a total lunar eclipse, viewable from ~8PM-midnight in the Eastern US. The moon was full and bright as viewed from Arlington MA, temperatures in the 20s (F), clear and cold. Thin wispy clouds veiled the spectacle for short periods, but for the most part the viewing conditions were superb. As shown in the sequence photos below, the shadow started on the lower left, and proceeded across until only a thin crescent of brightness remained. Although not shown in the photos, an interesting pattern of stars flanked the moon, especially visible near the peak of the eclipse. These stars made a kite-like pattern with the moon. I viewed from my house, but did venture out for periods to see it directly (no intervening window) and feel the night air. I bundled up and sat in an Adirondack chair on the front patio. The colors were truly remarkable, Alin Tolea's photo being quite close to what I experienced in Arlington, Massachusetts. Thanks to Alin, and to Herman Heyn, Baltimore's "Street Corner Astronomer" for sending me the stunning photo. This was the most dramatic celestial event visible to the naked eye that I have seen in a long time.

Photo by Jay Hagenbuch, Arlington, Massachusetts USA (Click to see larger image, this clip doesn't do justice to this gorgeous composite that Jay created).

Photo by Stan Honda, Titusville, Florida USA

Photo by AP, Stedman, North Carolina, USA

Pay a visit to MR ECLIPSE at http://www.mreclipse.com/ for more info on eclipses.

BSO at Symphony Hall

A delightful Boston Symphony Orchestra program at Symphony Hall on Saturday night (2/9/2008):

FRANK MARTIN (Swiss, 1890-1974): Petite symphonie concertante, for harp, piano, harpsichord, and double string orchestra (1946)

SERGE PROKOFIEV (Russian, 1891-1953): Violin Concerto No. 1 in D, Opus 19 (1923)

CAMILLE SAINT-SAËNS (French, 1835-1921): Symphony No. 3 in C minor, Opus 78, "Organ Symphony"

Charles Dutoit conductor

Ann Hobson Pilot harp
Randall Hodgkinson piano
Mark Kroll harpsichord

Viviane Hagner violin

James David Christie organ

The Martin piece opening the program was new to me - an exploration of what can be done with strings: plucked by a harpist, struck by a pianist, plucked by a harpsichordist, bowed by a solo violinist (or viola, cello, bass), or pizzacoto. Some familar lush sounds, but also some unusual interplays, rhythmic effects and tone colors. I would have been hard pressed to guess the year this piece was written - clearly modern in tonality, but at the same time more familiar. All created with strings alone - no woodwinds, percussion or horns.

The Prokofiev violin concerto was also unfamiliar to me, although the program notes tell of frequent BSO performances since the BSO gave the US premier in 1925 with soloist Richard Burgin, Serge Koussevitzky conducting. Gypsy-like at times, now the solo violin has its usual support from orchestral strings and woodwinds, brass, percussion and harp. Some passages where the soloist and harpist played together were reminiscent of the previous (Martin) piece.

Photo from Boston Globe (2/92008): Charles Dutoit conducts violinist Viviane Hagner, making her debut with the Boston Symphony Orchestra, in Prokofiev's Violin Concerto No. 1 at Symphony Hall last night. (Michael J. Lutch)

http://www.boston.com/ae/music/articles/2008/02/08/the_symphony_that_gives_a_hall_its_voice_back/

The Saint-Saens Symphony - what a great chance to hear the magnificent Aeolian-Skinner organ, in this unusual two-movement symphony. The organ enters stealthily in the first movement, with some tones so low you feel that you can count the vibrations/second on your fingers. You can certainly feel them come through the air and floor of the hall, even in the far corner of the 2nd balcony. The second movement especially brings some familiar themes. This time the organ has a dramatic entrance with a huge chord. Definately not an organ concerto, rather the organ is presented more like another instrument of the orchestra, although with a huge range of pitch and color.

When I lived near Philadelphia, I remember seeing Charles Dutoit conduct summer concerts at the outdoor "Mann Center" which overlooked the Philly skyline. Some nights were very hot, and he labored in the heat. I always felt he had an exceptionally clear beat, and would be a conductor that musicians would like playing under - clear but poetic and exciting.

Gerald Finzi - English Composer

As long as I've been listening to classical music, I'm delighted that I can still hear something new (to me) that hits like a breath of fresh air. At 7AM on weekend mornings, Boston's "NPR Arts and Culture" radio station WGBH plays a nature soundtrack. The nature sounds then fade out as a musical selection, usually gentle and blooming fades in. Today the music was a piece by Gerald Finzi, his Romance for Strings, Op. 11, performed by William Boughton and the English String Orchestra. Finzi has been described as a "pastoralist" style composer.

There is so much newness and richness around us. Today, I may have been more receptive because I'm considering myself "on vacation". Oh, summer is sweet.

Brian McCreath is the Producer and Host of the "Classical Weekend". His musical selections for the program are inspired. He hosts the show in a friendly and informative yet unobtrusive style, putting the music first. I often wish I could just sit and listen to the program start to finish - occasionally I do! He also responded personally to my email inquiry about the exact title of this Finzi piece, which I appreciate.


Gerald Finzi, English Composer



Born: 14 July 1901, London (England)
Died: 27 September 1956, Oxford (England)

The works of the English composer Gerald Finzi do not add up to any great number. So why is it that his compositions demand such attention? The main reason is the sheer quality of the music. His settings of Hardy and Shakespeare have never yet been equalled in their tunefulness, colour and skill of word-setting. His anthems guide the listener along an epic spiritual journey, for example, the moving ‘Lo the Full, Final Sacrifice’ which shows Finzi at his most intensely, profound, leading to surely the most beautiful ‘Amen’ coda in all music. His instrumental compositions are lyrical and at times have a distinctly English melancholy, as seen in his vast Cello Concerto (the last work he wrote) which takes the listener through the whole gamut of emotions which a composer, with his life literally hanging in the balance (from leukaemia), experienced. He was deeply influenced by the composers and other artists working around him, notable examples including Ralph Vaughan Williams, Herbert Howells, Edmund Blunden, Gustav Holst, and his wife, the artist Joy Finzi (nee Black). Other than music, he was also an experienced apple farmer, and saved many English apples from obscurity in his orchard at Ashmansworth, Hampshire. An extremely well-read man, his knowledge of English literature was perhaps one of the deepest at the time, as seen by his extensive library now housed at Reading University. Perhaps it was through this living ‘in’ the poetry of his homeland that his music naturally pervades each text, breathing life into it and sounding completely at one with the words. As an introduction to Finzi’s skill as a songwriter look no further than his masterpiece of the Shakespeare setting, ‘Let us Garlands Bring.' Gerald Finzi may have left us few works, but they are have such polish and complete mastery, that one wonders why they are not more popular.

Above paragraph from: http://www.classical-composers.org/comp/finzi

Of course, see also: http://en.wikipedia.org/wiki/Gerald_Finzi

Beringer Winetasting at Prudential Observatory, Boston Back Bay

Wow what luck I had this past Friday evening.

I poked around online to see what was going on, and I came across a notice for a Meals on Wheels benefit winetasting at the top of the Prudential tower in Boston's Back Bay, hosted by Beringer at 6:30. Requested donation, $5.

This just sounded too good to be true but I thought I'd go over. I fully expected to either not get in or find out that some deep pocket $$ commitment was required, or ???. The Meals on Wheels people couldn't have been nicer. I paid my $5 for entry. Despite the rainy cloudy conditions the view was stunning, looking over the Esplanade, bridges, Cambridge at twilight. There was cheese and crackers and an "intro" glass of Sauvignon Blanc. Delicious.

I arrived a bit late and most folks were seated at round tables covered with white tablecloths, with five wineglasses at each setting. Doug Frost hosted the tasting, taking us through the B Chardonnay and Private Reserve Chardonnay, the Pinot, and the Knights Valley and Private Reserve Cabernet. Doug was lively, funny and knowledgeable. He is a real wine professional, one distinction being that he is one of three poeple in the world to be both a Master Sommolier and Master of Wine. http://www.dougfrost.com/
Doug showed slides of the CA Napa Valley Wine Country, the history of Beringer, the famous Beringer Rhein House.


I enjoyed all the wines. The chardonnays reminded me how much I've liked both of these bottlings from Beringer over the years. The reserve was full of so much flavor, unusually multi-dimensional for a white wine. The Pinot was made in a lighter style but elegant and balanced. The cabs showed that you can get a tasty structured cab with balanced fruit for less than $20 (Knights Valley), and also why the Beringer Private Reserve Cabernet at $100+ is such a popular collectible.

The setting was really beautiful. While sipping the wines and listening to the presentation, I was drawn to the view out the window.

The tasting was about half full. A young couple sitting next to me were visiting the area from Texas. They chanced on the winetasting when they were going to the Prudential Skywalk Observatory. After the tasting I pulled them over to the window and pointed out some local landmarks. After the semi-formal part of the tasting we were offered another glass of wine along with cheese crackers and more of the great views. I stopped at the Meals on Wheels table on the way out, thanked them profusely and made an additional donation to their worthy cause. I had rushed out and forgotten my camera, so I borrow this image from someone in the www community (thanks):